The Plot-Paint Thickens

Now that the work of selling my series has passed out of my hands, I’ve been free to focus on finishing Book Three—a wild waltz through a kaleidoscope of espionage. It’s good to be back in the saddle and traversing new ground. As of now, I’ve completed 45% of my initial 100k-word goal for the novel.

But the thing about kaleidoscopes of espionage is that they demand plotting. Which is not my strong suit. Ugh. Fortunately, it’s actually quite simple to create a complex plot if you know the secret three-step formula: (1) create a simple plot, (2) identify all its holes, and then (3) explain them. Voila!

So if I’m being honest, my plotting process looks a lot like a four-year-old’s interrogation.

Me: “Why does W happen?”
Also me: “Well, I guess because X.”
Me: “But why does X happen?”
Also me: “Well, I guess because Y.”
Me: “But why does Y happen?”
Also me: “Well, I guess because Z.”
Me: “But why …”



In other news, the inimitable Hannah Gunderson, Painter of Arlam, has unveiled a gorgeously pensive new portrait of Ilina Lightkeeper.

Ilina03_v01

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